hase padua

An overlooked classic of Italian literature, this epic and unforgettable novel recounts one man's long and turbulent life in revolutionary Italy. At the age of eighty-three and nearing death, Carlo Altoviti has decided to write down the confessions of his long life. He remembers everything: his unhappy childhood in the kitchens of the Castle of Fratta; romantic entanglements during the siege of Genoa; revolutionary fighting in Naples; and so much more. Throughout, Carlo lives only for his twin passions in life: his dream of a unified, free Italy and his undying love for the magnificent but inconstant Pisana. Peopled by a host of unforgettable characters - including drunken smugglers, saintly nuns, scheming priests, Napoleon and Lord Byron - this is an epic historical novel that tells the remarkable and inseparable stories of one man's life and the history of Italy's unification. Ippolito Nievo was born in 1831 in Padua. Confessions of an Italian, written in 1858 and published posthumously in 1867, is his best known work. A patriot and a republican, he took part with Garibaldi and his Thousand in the momentous 1860 landing in Sicily to free the south from Bourbon rule. Nievo died before he reached the age of thirty, when his ship, en route from Palermo to Naples, went down in the Tyrrhenian Sea in early 1861. He was, Italo Calvino once said, the sole Italian novelist of the nineteenth century in the 'daredevil, swashbuckler, rambler' mould so dear to other European literatures. Frederika Randall has worked as a cultural journalist for many years. Her previous translations include Luigi Meneghello's Deliver Us and Ottavio Cappellani's Sicilian Tragedee and Sergio Luzzatto's Padre Pio: Miracles and Politics in a Secular Age. Lucy Riall is Professor of Comparative History at the European University Institute. Her many books include Garibaldi. Invention of a Hero. 'Of all the furore that came out of the Risorgimento, only Manzoni and Nievo really matter today' - Umberto Eco 'The one 19th century Italian novel which has [for an Italian reader] that charm and fascination so abundant in foreign literatures' - Italo Calvino 'Perhaps the greatest Italian novel of the nineteenth century' - Roberto Carnero 'A spirited appeal for liberté, égalité and fraternité, the novel is also an astute, scathing and amusing human comedy, a tale of love, sex and betrayal, of great wealth and grinding poverty, of absolute power and scheming submission, of idealism and cynicism, courage and villainy' - The Literary Encyclopedia

Just over four hundred years ago, in 1610, Galileo published the Siderius nuncius, or Starry Messenger, a 'hurried little masterpiece' in John Heilbron's words. Presenting to the world his remarkable observations using the recently invented telescope - of the craters of the moon, and the satellites of Jupiter, observations that forced changes to perceptions of the perfection of the heavens and the centrality of the Earth - the appearance of the little book is regarded as one of the greatest moments in the history of science. It was also a point of change in the life of Galileo himself, propelling him from professor to prophet. But this is not the biography of a mathematician. Certainly he spent the first half of his career as a professor of mathematics and has been called 'the divine mathematician'. Yet he was no more (or less) a mathematician than he was a musician, artist, writer, philosopher, or gadgeteer. This fresh lively new biography of the 'father of science' paints a rounded picture of Galileo, and places him firmly within the rich texture of late Renaissance Florence, Pisa, and Padua, amid debates on the merits of Ariosto and Tasso, and the geometry of Dante's Inferno - debates in which the young Galileo played an active role. Galileo's character and career followed complex paths, moving from the creative but cautious humanist professor to a 'knight errant, quixotic and fearless', with increasing enemies, and leading ultimately and inevitably to a clash with a pope who was a former friend.