nocturne

Piano Trio Op. 50/Three Nocturnes

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This piece is straightforward in its construction but highly advanced in its harmonies, and links up with the widely popular, 19th-century tradition of the “night piece” or “nocturne” for piano. Its themes and modulations are highly reminiscent of Gabriel Fauré, but in its chromatic voice-leading and unusual treatment of metre – such as in the 7/4 central section – Debussy makes a statement all of his own. Nothing is known about the history of its composition. Debussy’s 1892 contract with his publisher states merely that the composer had originally called it “Interlude”, but then decided upon the far more suitable title of “Nocturne”. One of Debussy’s most popular early piano works, it is now available in a Henle Urtext edition. Read more about this edition in the Henle Blog.

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**Wenn du deinem Erzfeind vertrauen musst** Als zukünftige Königin der Nocturnes – dem größten Vampirclan in Los Angeles – soll Valea sich möglichst nie in Gefahr bringen. Keine gute Voraussetzung, wenn man in bedrohlichen Zeiten wie diesen lebt. Denn immer mehr Vampire verschwinden und Valea hat einen konkreten Verdacht, wer dahintersteckt: die Werwölfe. Nachdem der attraktive Alpha Lykan ihr für diese Anschuldigung beinahe den Kopf abreißt, beschließen sie daraufhin, gemeinsam in dem Fall zu ermitteln. Dabei geht Valea der dominante und rechthaberische Werwolf gehörig auf die Nerven. Doch angesichts des Schreckens der sie erwartet, müssen sie enger zusammenarbeiten als gewollt … Textauszug Mit einem eleganten Satz sprang jemand über das Geländer der Empore und landete zielsicher direkt vor unseren Füßen. Hyde und Scott senkten sofort demütig den Blick, doch ich schaute den jungen Mann geradewegs an. Nicht, weil ich es für besonders intelligent oder mutig hielt, einem Alpha direkt in die Augen zu sehen, aber ich konnte meinen Blick einfach nicht von ihm abwenden. //»Nocturnes. Dressed in Darkness« ist ein in sich abgeschlossener Einzelband.//

In this gorgeous and haunting fantasy set in 1930s Chicago, a talented ballerina finds herself torn between her dreams and her desires when she's pursued by a secretive patron who may be more than he seems. "A mix of dreamlike fairytale and enchanting historical fantasy, Nocturne has a real flavour of Phantom of the Opera. Add in a touch of Beauty and the Beast and this is the perfect escape from reality." Culturefly Grace has always wanted to be a ballerina, ever since she first peered through the windows of the Near North Ballet company. The elegance of the dance seemed transcendent to an immigrant child of the working poor, and so, when she is orphaned, it is to the ballet that she flees. Years later, Grace is on the verge of becoming the company's new prima ballerina - though she is beginning to realise that achieving her long-held dream may not be the triumph she once envisioned. Then Grace attracts the attention of the enigmatic Master La Rosa, and realises that the world may not be as small or constricted as she had come to fear. But who is her mysterious patron, and what does he want from her? As Grace begins to unlock the Master's secrets, she discovers that there may be another way entirely to achieve the transcendence she has always sought.

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Time and again, Chopin succeeded in giving different piano music genres their own individual characters, whether etudes, preludes, waltzes, scherzi or nocturnes. The Irishman John Field had already composed over 20 nocturnes, which presumably greatly influenced Chopin. The latter continued to develop the light, song-like piano writing and created works whose dreamy, longing atmosphere came to embody Chopin’s music. Our volume contains the works that were published during Chopin’s lifetime as well as ones which were only published posthumously, including the famous Lento con gran espressione in c sharp minor – in two authentic versions.