pure advance

“Just as it’s possible to read The Recognitions narrowly as a satire of midcentury bohemia, J R operates on one level as a send-up of American capitalism. . . . But the book is more profoundly a portrait of a world that has given up on transcendent values. . . . The coherence of the vision, the order that Gaddis imposes on the chaos of his material through sheer force of artistic will, offers the closest thing to redemption this world allows, and gives the book, finally, a poignant hopefulness. . . . I count my second time through [ The Recognitions and J R]—like my first—among the great literary experiences of my life.” —Christopher Beha, Harper’s Magazine “No other novel I know of catches up so much of contemporary reality, or renders it so exactly, and with such telling detail.” —George Stade, The New York Times Book Review “J R is a wild, rollicking success. It deserves the buzz and marketing budget typically reserved for writers who receive seven-figure advances. It deserves an army of dedicated readers who will, with near-religious devotion, take the time to unlock the wonders and mysteries of this hilarious, brilliant, and punishing satire of American capitalism. More than almost anything being published by young or established writers today, J R is the novel of our age.” —Lee Konstantinou, Los Angeles Review of Books “Their surfaces will seem daunting but look beyond these novels’ haughty, hefty façades. Once you get to know them inside, they’re much more fun than they look. They will make you laugh out loud. They will absorb you. They will keep you coming back for more. . . . while Gaddis’ characters spend a lot of time saying nothing, they are always intriguingly human characters worth knowing over and over again. Which is what makes these perfect lockdown preoccupations. . . . Everything you need to know about life is bubbling away under the covers of these two world-size books.” —Scott Bradfield, Los Angeles Times “I read J R, and it seemed to me, at first, that Gaddis was working against his own gifts for narration and physical description, leaving the great world behind to enter the pigeon-coop clutter of minds intent on deal-making and soul-swindling. This was not self-denial, I began to understand, but a writer of uncommon courage and insight discovering a method that would allow him to realize his sense of what the great world had become. J R in fact is a realistic novel—so unforgivingly real that we may fail to recognize it as such.” —Don DeLillo “William Gaddis is pure prodigy. His novels are massive in ambition and dazzling in execution. They are fierce with integrity.” —Mary McCarthy "Gaddis’s work encourages us both to watch the show and to consider the man behind the curtain, the life that both exceeds and requires the novel. J R is not really “about” an eleven-year-old who dupes everyone; it is about the outrage of a larger consciousness at the dehumanization of corporate life." —Greg Gerke, Kenyon Review “He [Gaddis] is an heir to Eliot, whose quests, imposters and enervated landscapes haunt his novels, as well as the great Russians—Dostoevsky; Gogol, Tolstoy, Chekhov, Turgenev—with whom he shared the hope of civilizing a benighted nation.” —Dustin Illingworth, The Point “A satirical farce on the supercharged American version of capitalism. . . There is no centre stage in J R, and that’s part of the point: the world of money is a hall of mirrors that will reflect and distort anything or nothing.” —Adam Mars-Jones, London Review of Books

Praised as “an entertaining and torrential flow of a book ” by Nature magazine, The Big Thirst is a startling examination of the passing of the golden age of water and the shocking facts about how water scarcity will soon be a major factor in our lives. The water coming out of your kitchen tap is four billion years old and might well have been sipped by a Tyrannosaurus rex. Rather than only three states of water—liquid; ice, and vapor—there is a fourth, “molecular water;” fused into rock 400 miles deep in the Earth, and that’s where most of the planet’s water is found. Unlike most precious resources, water cannot be used up; it can always be made clean enough again to drink—indeed; water can be made so clean that it’s toxic. Water is the most vital substance in our lives but also more amazing and mysterious than we appreciate. As Charles Fishman brings vibrantly to life in this surprising and mind-changing narrative, water runs our world in a host of awe-inspiring ways, yet we take it completely for granted. But the era of easy water is over. Bringing readers on a lively and fascinating journey—from the wet moons of Saturn to the water-obsessed hotels of Las Vegas, where dolphins swim in the desert, and from a rice farm in the parched Australian outback to a high-tech IBM plant that makes an exotic breed of pure water found nowhere in nature—Fishman vividly shows that we’ve already left behind a century-long golden age when water was thoughtlessly abundant, free, and safe and entered a new era of high-stakes water. In 2008, Atlanta came within ninety days of running entirely out of clean water. California is in a desperate battle to hold off a water catastrophe. And in the last five years Australia nearly ran out of water—and had to scramble to reinvent the country’s entire water system. But as dramatic as the challenges are, the deeper truth Fishman reveals is that there is no good reason for us to be overtaken by a global water crisis. We have more than enough water. We just don’t think about it, or use it, smartly. The Big Thirst brilliantly explores our strange and complex relationship to water. We delight in watching waves roll in from the ocean; we take great comfort from sliding into a hot bath; and we will pay a thousand times the price of tap water to drink our preferred brand of the bottled version. We love water—but at the moment, we don’t appreciate it or respect it. Just as we’ve begun to reimagine our relationship to food, a change that is driving the growth of the organic and local food movements, we must also rethink how we approach and use water. The good news is that we can. As Fishman shows, a host of advances are under way, from the simplicity of harvesting rainwater to the brilliant innovations devised by companies such as IBM, GE, and Royal Caribbean that are making impressive breakthroughs in water productivity. Knowing what to do is not the problem. Ultimately, the hardest part is changing our water consciousness. As Charles Fishman writes, “Many civilizations have been crippled or destroyed by an inability to understand water or manage it. We have a huge advantage over the generations of people who have come before us, because we can understand water and we can use it smartly.” The Big Thirst will forever change the way we think about water, about our essential relationship to it, and about the creativity we can bring to ensuring that we’ll always have plenty of it.