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The revised and updated edition of Lt. Col. Dave Grossman's modern classic about the psychology of combat. "An illuminating account of how soldiers learn to kill and how they live with the experiences of having killed." - Washington Post The twentieth century, with its bloody world wars, revolutions, and genocides accounting for hundreds of millions dead, would seem to prove that human beings are incredibly vicious predators and that killing is as natural as eating. But Lieutenant Colonel Dave Grossman, a psychologist and U.S. Army Ranger, demonstrates this is not the case. The good news, according to Grossman-drawing on dozens of interviews, first-person reports, and historic studies of combat, ranging from Frederick the Great's battles in the eighteenth century through Vietnam-is that the vast majority of soldiers are loath to kill. In World War II, for instance, only 15 to 25 percent of combat infantry were willing to fire their rifles. The provocative news is that modern armies, using Pavlovian and operant conditioning, have learned how to overcome this reluctance. In Korea about 50 percent of combat infantry were willing to shoot, and in Vietnam the figure rose to over 90 percent. The bad news is that by conditioning soldiers to overcome their instinctive loathing of killing, we have drastically increased post-combat stress-witness the devastated psychological state of our Vietnam vets as compared with those from earlier wars. And the truly terrible news is that contemporary civilian society, particularly the media, replicates the army's conditioning techniques and-according to Grossman's controversial thesis-is responsible for our rising rates of murder and violence, particularly among the young. In the explosive last section of the book, he argues that high-body-count movies, television violence (both news and entertainment), and interactive point-and-shoot video games are dangerously similar to the training programs that dehumanize the enemy, desensitize soldiers to the psychological ramifications of killing, and make pulling the trigger an automatic response.

The brilliant #1 New York Times bestseller Named a best book of 2020 by The New York Times, The Washington Post, TIME, The Guardian, and many more With The Mirror & the Light, Hilary Mantel brings to a triumphant close the trilogy she began with her peerless, Booker Prize-winning novels, Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man's vision: of a modern nation making itself through conflict, passion and courage. The story begins in May 1536: Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Cromwell breakfasts with the victors. The blacksmith's son from Putney emerges from the spring's bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell, a man with only his wits to rely on, has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry's regime to the breaking point, Cromwell's robust imagination sees a new country in the mirror of the future. All of England lies at his feet, ripe for innovation and religious reform. But as fortune's wheel turns, Cromwell's enemies are gathering in the shadows. The inevitable question remains: how long can anyone survive under Henry's cruel and capricious gaze? Eagerly awaited and eight years in the making, The Mirror & the Light completes Cromwell's journey from self-made man to one of the most feared, influential figures of his time. Portrayed by Mantel with pathos and terrific energy, Cromwell is as complex as he is unforgettable: a politician and a fixer, a husband and a father, a man who both defied and defined his age.

The brilliant #1 New York Times bestseller Named a best book of 2020 by The New York Times, The Washington Post, TIME, The Guardian, and many more With The Mirror & the Light, Hilary Mantel brings to a triumphant close the trilogy she began with her peerless, Booker Prize-winning novels, Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man's vision: of a modern nation making itself through conflict, passion and courage. The story begins in May 1536: Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Cromwell breakfasts with the victors. The blacksmith's son from Putney emerges from the spring's bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell, a man with only his wits to rely on, has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry's regime to the breaking point, Cromwell's robust imagination sees a new country in the mirror of the future. All of England lies at his feet, ripe for innovation and religious reform. But as fortune's wheel turns, Cromwell's enemies are gathering in the shadows. The inevitable question remains: how long can anyone survive under Henry's cruel and capricious gaze? Eagerly awaited and eight years in the making, The Mirror & the Light completes Cromwell's journey from self-made man to one of the most feared, influential figures of his time. Portrayed by Mantel with pathos and terrific energy, Cromwell is as complex as he is unforgettable: a politician and a fixer, a husband and a father, a man who both defied and defined his age.

'Chilling' FINANCIAL TIMES 'Impressive and unsettling' NEW YORK TIMES BOOK REVIEW 'Eerie, shocking, provoking' GILLIAN FLYNN 'Rich in suspense, diabolical secrets and psychological insight' ECONOMIST 'Engrossing even as it horrifies' BIG ISSUE A spellbinding novel of literary and psychological suspense about the dark secrets that surface after the shocking disappearance of a charismatic, mercurial teacher at an elite boarding school. Who is Francis Fox? A charming English teacher new to the idyllic Langhorne Academy, Fox beguiles many of his students, their parents, and his colleagues at the elite boarding school, while leaving others wondering where he came from and why his biography is so enigmatic. When two brothers discover Fox's car half-submerged in a pond in a local nature preserve and parts of an unidentified body strewn about the nearby woods, the entire community, including Detective Horace Zwender and his deputy, begins to ask disturbing questions about Francis Fox and who he might really be. A hypnotic, galloping tale of crime and complicity, revenge and restitution, victim vs. predator, Joyce Carol Oates's Fox illuminates the darkest corners of the human psyche while asking profound moral questions about justice and the response evil demands. A character as magnetically diabolical as Patricia Highsmith's Tom Ripley and Vladimir Nabokov's Humbert Humbert, Francis Fox enchants and manipulates nearly everyone around him, until at last he meets someone he can't outfox. Written in Oates's trademark intimate, sweeping style, and interweaving multiple points of view, Fox is a triumph of craftsmanship and artistry, a novel as profound as it is propulsive, as moving as it is full of mystery. 'Hauntingly explores the way that beguiling figures can inspire, create and shape art' LOS ANGELES TIMES 'Mesmerizing' MICHAEL CONNELLY 'Oates is a genius' REBECCA MAKKAI 'Oates views the US through a gothic prism, forming images as striking as they are disturbing' FINANCIAL TIMES 'Absolutely chilling ... this is Oates at her most disturbing and masterful' SEATTLE TIMES 'Inescapably abhorrent yet enthralling ... Oates understands, as always, how to keep us on the hook' LOS ANGELES TIMES 'Engrossing even as it horrifies and reminds us that we cannot nor should not look away' BIG ISSUE 'A tautly wound procedural, elegantly written ... Oates once again masterfully limns the worse angels of our nature' KIRKUS REVIEWS 'Menacing, mesmerizing, and thoroughly provocative' BOOKLIST

'Chilling' FINANCIAL TIMES 'Impressive and unsettling' NEW YORK TIMES BOOK REVIEW 'Eerie, shocking, provoking' GILLIAN FLYNN 'Rich in suspense, diabolical secrets and psychological insight' ECONOMIST 'Engrossing even as it horrifies' BIG ISSUE A spellbinding novel of literary and psychological suspense about the dark secrets that surface after the shocking disappearance of a charismatic, mercurial teacher at an elite boarding school. Who is Francis Fox? A charming English teacher new to the idyllic Langhorne Academy, Fox beguiles many of his students, their parents, and his colleagues at the elite boarding school, while leaving others wondering where he came from and why his biography is so enigmatic. When two brothers discover Fox's car half-submerged in a pond in a local nature preserve and parts of an unidentified body strewn about the nearby woods, the entire community, including Detective Horace Zwender and his deputy, begins to ask disturbing questions about Francis Fox and who he might really be. A hypnotic, galloping tale of crime and complicity, revenge and restitution, victim vs. predator, Joyce Carol Oates's Fox illuminates the darkest corners of the human psyche while asking profound moral questions about justice and the response evil demands. A character as magnetically diabolical as Patricia Highsmith's Tom Ripley and Vladimir Nabokov's Humbert Humbert, Francis Fox enchants and manipulates nearly everyone around him, until at last he meets someone he can't outfox. Written in Oates's trademark intimate, sweeping style, and interweaving multiple points of view, Fox is a triumph of craftsmanship and artistry, a novel as profound as it is propulsive, as moving as it is full of mystery. 'Hauntingly explores the way that beguiling figures can inspire, create and shape art' LOS ANGELES TIMES 'Mesmerizing' MICHAEL CONNELLY 'Oates is a genius' REBECCA MAKKAI 'Oates views the US through a gothic prism, forming images as striking as they are disturbing' FINANCIAL TIMES 'Absolutely chilling ... this is Oates at her most disturbing and masterful' SEATTLE TIMES 'Inescapably abhorrent yet enthralling ... Oates understands, as always, how to keep us on the hook' LOS ANGELES TIMES 'Engrossing even as it horrifies and reminds us that we cannot nor should not look away' BIG ISSUE 'A tautly wound procedural, elegantly written ... Oates once again masterfully limns the worse angels of our nature' KIRKUS REVIEWS 'Menacing, mesmerizing, and thoroughly provocative' BOOKLIST

An Inside View into the Dark Side of a Music Icon He was the King of Pop, a superstar without equal, the idol of millions of young people around the world. But was Michael Jackson also a sexual predator without equal, someone who preyed on the very fans who adored him? Bad is the revelatory untold true story of the strange and larger-than-life career of Michael Jackson, the King of Pop. In the wake of the controversial two-part documentary Leaving Neverland, which told the stories of two young boys who were befriended by the singer and have claimed they suffered years of agonizing abuse, Dylan Howard set out to investigate Jackson's life and death in unprecedented depth, to determine-as one lawyer suggested-that the pop star ran "the most sophisticated child sexual abuse procurement and facilitation operation the world has known." After all the highly publicized trials and unfounded accusations, stunning new information has finally come to light: irrefutable evidence that one of the best-known, best-loved figures in the world was a monster behind closed doors-a foul-mouthed, abusive, drug-sodden freak whose deeds and the reasons for those deeds are revealed now for the first time. A dramatic narrative account based on dozens of interviews, Howard shares Jackson's own riveting personal journal-obtained exclusively for this book-interviews with family members, multiple first-person sources-some of whom have asked to remain anonymous-as well as thousands of pages of court documents. What he uncovers is a man who was both naive and Machiavellian, unorthodox, a devoted father, shrewd businessman, and drug addict whose life was cut short but whose sound and style have influenced artists of various genres and generations. Remarkably though, in death, there remains two portraits of Michael Jackson: the reigning King of Pop, and a pedophile whose pattern of abuse ruined his reputation. Fans and individuals alike will forever be asking if the insidious claims being made about MJ are true. This is the new narrative and the sad legacy of one of the best-selling music artists of all time. Here is his life story, told for the first time with stories and testimony that will leave you shaken.