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While German painting of the postwar period mostly concerned itself with coming to terms with the past and presenting it in gestures ranging from the heroic to the ironic, Daniel Richter focuses on positioning himself in the present. Time and again he devises new ways of being “modern” in a medium that has long been labeled old-fashioned. His pictures consistently challenge the spectator through their painterly and contextually excessive demands, but they do not lecture on moral issues. For the first time, Eva Meyer-Hermann traces the chronological development of Richter’s oeuvre across more than 200 examples of his work. The turns from abstraction to figuration and back again that until now have been described as abrupt, prove on closer examination to be a logical consequence and a sign of conscious artistic action. DANIEL RICHTER (*1962, Eutin, Schleswig-Holstein) has been one of the most significant and internationally renowned painters of his generation for more than twenty years. His beginnings in the autonomous left-wing underground and studies with Werner Büttner at the Hochschule für bildenden Künste in Hamburg contributed to his reputation, as has his eloquent public presence.

While German painting of the postwar period mostly concerned itself with coming to terms with the past and presenting it in gestures ranging from the heroic to the ironic, Daniel Richter focuses on positioning himself in the present. Time and again he devises new ways of being “modern” in a medium that has long been labeled old-fashioned. His pictures consistently challenge the spectator through their painterly and contextually excessive demands, but they do not lecture on moral issues. For the first time, Eva Meyer-Hermann traces the chronological development of Richter’s oeuvre across more than 200 examples of his work. The turns from abstraction to figuration and back again that until now have been described as abrupt, prove on closer examination to be a logical consequence and a sign of conscious artistic action. DANIEL RICHTER (*1962, Eutin, Schleswig-Holstein) has been one of the most significant and internationally renowned painters of his generation for more than twenty years. His beginnings in the autonomous left-wing underground and studies with Werner Büttner at the Hochschule für bildenden Künste in Hamburg contributed to his reputation, as has his eloquent public presence.

Daniel Richter: Paintings Then and Now (Zeitgenössische Kunst)

Das Buch "Daniel Richter" bietet eine umfassende Analyse des künstlerischen Schaffens eines der bedeutendsten Maler der Gegenwart. Daniel Richter, geboren 1962 in Eutin, Schleswig-Holstein, hat sich in den letzten zwei Jahrzehnten als international anerkannter Künstler etabliert. In diesem Werk wird die Entwicklung seines Oeuvres durch mehr als 200 Abbildungen seiner Werke nachgezeichnet. Die Autorin Eva Meyer-Hermann beleuchtet die Wechsel zwischen Abstraktion und Figuration und zeigt, dass diese Übergänge nicht willkürlich, sondern das Ergebnis bewusster künstlerischer Entscheidungen sind. Richter gelingt es, in einem Medium, das oft als veraltet angesehen wird, immer wieder neue Wege zu finden, um modern zu sein. Seine Werke fordern die Betrachter heraus, ohne dabei moralische Lektionen zu erteilen. Diese Publikation ist eine wertvolle Ressource für alle, die sich für zeitgenössische Kunst und die Entwicklung der Malerei im Nachkriegsdeutschland interessieren.